Daddy's Rolls-Royce

DADDY'S ROLLS-ROYCE

Number one daughter on left waves a toffee-wrapper. Number two has missed out what number one is chewing. Neither is impressed with the Rolls-Royce Silver Spur.

RRM1 is a cherished registration Rolls-Royce Motors keeps for press demonstrators, sold afterwards, no doubt, to customers who wouldn’t like to think they’d been handled by mere hacks. Or ignored by toffee-chewing daughters.

Relaunching the Blog I have spent two months working on a series of four ebooks, a Vintage Archive Tetrology, Quadrology Quadrille even, Eric Dymock on Cars 1989, 1990, 1991, and 1992. They are collections of road tests, features, my choice of 100 best cars, in short the entire year’s output, save for the major books, TV and radio scripts, and some other items that did not seem very interesting. Watch this space. One is already in the public domain, Eric Dymock on Cars 1990 is available from Amazon at an introductory price.

What did I write about the Rolls-Royce in a business magazine?

If you have to ask the price, they say, you probably can’t afford it. But so that the company accountant can send off the cheque, a Silver Spur, is £62,778, give or take a personal foible or two such as special body colours or fancy figured leather. A more modest executive might go for a Silver Spirit at £55,240, four inches shorter, which means less room in the back but otherwise not a lot different. There is an up-market Silver Spur at £68,278 for captains of industry, or one of the better-off aristocrats who may not want a hand-built Phantom, or company chairman who wants a glass division to keep the chauffeur from overhearing. This has a small, well-equipped but discreet drinks cupboard; Rolls-Royce prefers the term cocktail cabinet, perhaps nostalgic of an era when all cars had leather seats, and nobody thought of a facia in anything other than figured veneer.

Without being unkind, other aspects of the Rolls-Royce are just as old-fashioned. Frederick Henry Royce began his working life in the Great Northern Railway Works at Peterborough; locomotive engineering dies hard at Crewe. Silver Spur doors clunk shut like those of railway carriages and locknuts hold things together in impressive engineering orthodoxy.

Well, it was 1984. Daughters have grown. Search Velocette on the blog for number one, Charlotte. Here she is at Goodwood Revival, suitably Vintage-clad.


Number two Joanna now has to share toffees with number two grandson Jasper.



To see other grandson Teddy: - search blog:- Number One Grandson.

Silver Spur continued:

More modern cars go faster and handle better. Some are more comfortable and soak up road bumps more smoothly. Yet there is no car in which it is better to be a passenger. Keen drivers  can by-pass Rolls-Royces; they would be better with a Daimler Double-Six at less than half the price, or even a decent Mercedes-Benz and spend the change on something else - high living, or a Porsche for a favourite secretary.

Yet if you want a badge of success or a symbol of prestige nothing else will do. Even cars of the same price but lesser merit won't do - they merely mark you down as eccentric, flashy or, perhaps worse, both. Rolls-Royce merits of longevity, build quality, luxury and finish barely require repetition. They are the justification for the price tag and a judgement on their value depends on the circumstances of the buyer.

A more fundamental question, perhaps, is whether the maker is serving its own interests by a policy of engineering extravagance in the face of increasingly formidable opposition. It is all very well having the world’s most valuable prestige symbol, but are there enough customers left who simply want to ride around in the back? Their numbers have been diminishing and the trend seems likely to continue. It is not as though the Rolls-Royce is wholly dull. It has a top speed getting on for 120mph and will reach 60mph in ten seconds, a reasonably lively performance.

Its best achievement is probably the way it insulates, almost isolates the occupants from road rumble and traffic noise, difficult without building an immensely big and heavy car. Success in this even seems to elude Mercedes-Benz although the Daimler Jaguars manage to be at least as quiet as the Rolls-Royce. Yet it is a car that imposes its own driving regime. It is big and heavy, and it is difficult to disguise its own momentum if you drive it fast. It is better to slow down and opt for grace and style. Rolls-Royce will argue they build cars to be driven that way because that is how the customers want them. But the fact remains that you can drive a Mercedes or a Jaguar slowly if you want to, the comfort is undiminished, and most drivers enjoy the choice. I doubt if Rolls-Royce would know how to make a car that handles well, such are the conflicting requirements of the great weight of railway engineering. Such luxury and refinement might simply be unattainable.

“Porsche for a favourite secretary” sounds patronising. It was 1984. I wouldn’t write that now.

Royce, railway engineer, a vocation shared with WO Bentley.




Phantom Phantastic


Rolls-Royce sold more cars last year than ever; 3538, a third more than in 2010. The previous best was 3347 in 1978,which makes 2011 the best in 107 years. Great achievement. Scarcely expected in times of hardship. More surprising for cars with the aerodynamics of a house-brick costing between £200,000 and £300,000.
Anybody shopping for a Rolls-Royce should go for a 1998-2002 Silver Seraph. You could probably get a decent one under £50,000. By the 1990s the V8 felt lumpy and the first fruit of the BMW relationship was a V12 as silent as a Rolls-Royce should be. Well proportioned and dignified, the Seraph was the last Crewe Rolls-Royce. Only 1,570 were made.

But where the Seraph was graceful and sleek, the Phantom is big and square, with mean-looking rectangular headlights. The 6.8litre V12 is supremely quiet, immensely powerful, the interior magnificent as ever it was under the old regime at Crewe. Yet old Rolls-Royce made a virtue of understatement and there is nothing understated about the Phantom. It is big, slightly vulgar, with trick features like rear-hinged rear doors emplying electronics to prevent them being opened into the path of oncoming cars. Why would you want rear-hinged doors? They allow Phantom owners to make graceful exits on to red carpets, displaying limbs or whatever else to paparazzis’ flash bulbs.

Chairman and chief executive Ian Roberston shares a rear door with new owner of the 3000th Phantom.
Rolls-Royce thought it smart to have the RR logo on wheel hubs made so it was always upright. They didn’t whirl round when the car was moving and always stopped right way up. I thought them tasteless even though perhaps they suggested Rolls-Royce still had a sense of humour.

Graham Biggs’s sense of humour failed when he read Scotland on Sunday on 28 May 2006. He was Rolls-Royce PRO and got po-faced when I compared them with a flash kids’ fad for big shiny wheel discs. These were aftermarket stick-on accessories that didn’t rotate when the car was moving. They made it look as though the wheels were stopped. Once the car did stop the plates kept spinning so it then looked stationary with the wheels still going round. Most people thought it funny.

Rolls-Royce kept 100LG for the press car. The first one I drove was Silver Cloud III in The Motor road test of August 21, 1963 (above). There was trouble when I almost set the brakes on fire: “both fade tests showed the brakes in a poorish light,” was all I was allowed to write. Rolls-Royce was very sensitive about its brakes. Below is a later 100LG, a Silver Shadow with a young Mrs Dymock at the wheel.

Targa Siciliana by Camargue


Rolls-Royce must have had a Mafia mole. Briefly in 1975, Sicilian speed limits, it seemed, were suspended. We flew in a BAC 111 from Gatwick to Catania on January 15, for the press launch of the Camargue; driving round island roads in a sort of luxury Targa Florio*. Sicily was good in January, warm, sunny and we stayed at a spectacular hotel, clinging to a cliff in Taormina, Mount Etna one side and the Ionian Sea on the other. I drove with Roger Bell, an engineer from Rolls-Royce in the back. We never discovered if he was merely an observer, watching over his car or over us. We drove on dry, dusty mountain roads, then raced along empty half-finished Autostradas, which pierced rock faces with twin tunnels. It was an exciting journey in air conditioned comfort, the motorway bits mile after mile at an indicated 120mph. We weren’t sure that the man from Rolls-Royce enjoyed it, but he never complained. Roger was head road tester and a trusted former colleague at The Motor, an accomplished saloon car racer we often drove on press launches. We knew one another’s driving. The poor engineer didn’t know us at all.

Did you know there was a Bentley Camargue? Just one. A Bentley Pininfarina designed for Lord Hanson in 1967 and the Rolls-Royce Camargue eight years later, were not highly regarded at first. It was a decade or two later before the eye caught up with their high waistlines and flat sides. Sergio Pininfarina had worked to strict limits. His design brief from Crewe was unlike the free-ish hand given him for the Fiat 130 Coupe, which, as with the 1947 Cisitalia, was an exemplar of crisp contour and elegant proportions. This time he had to adhere to the 1960s T-series/Silver Shadow floor pan, engine and transmission. Furthermore he was required to keep the generous seating plan. Rolls-Royce decreed that the proportions of the radiator could change (they had altered several times since 1904) and, as a special concession it could be tilted forwards, but by no more than 4 degrees from the vertical. Camargue looked bigger than the rest of the range and although no taller, it was a substantial 10cm (3.94in) wider. A striking innovation to the facia was Pininfarina’s clever adoption of aircraft-style instrument bezels, at one stroke taking the ambience of the car ahead by a generation. Something of a new experience for Crewe was meeting safety legislation, largely American thus far, which required destructive testing of bodies and components. More power was needed to make sure the larger frontal area would not affect performance, so after car 31 the engine was supplied with a German-made Solex four-barrel fixed choke carburettor. For markets where stringent emissions regulations were being applied, such as the United States and Japan, the two SUs were retained along with a lower compression ratio of 7.3:1. Crewe and Mulliner Park Ward in London shared Camargue production until summer 1968, when Motor panels of Coventry was contracted to supply completed body shells and production commenced at Crewe. Prototype Camargues ran with Bentley disguises and a turbocharged Bentley had been considered for production, but the car came on the market as a Rolls-Royce. However Sir David Plastow said that the company would be happy to quote a price for a Bentley version if anyone wanted. It was an offer one customer took up. Enquiries to identify the individual came to nothing. Was there a Sicilian connection?
INTRODUCTION 1975 produced to 1986
BODY Saloon; 2-doors, 4-seats; weight 2347kg (5175lb)
ENGINE V8-cylinders, in-line; front; 101.4mm x 99.1mm, 6750cc; compr 9:1 later 8:1; 164kW (220bhp) @ 4000rpm; 24.3kW (32.57bhp)/l.
ENGINE STRUCTURE 2 pushrod overhead valves; hydraulic tappets; gear-driven central cast iron camshaft; aluminium cylinder head with steel valve seats, aluminium block, cast iron wet cylinder liners; 4-choke Solex 4A1 carburettor, later 2 SU HIF7 1.87in; coil ignition Lucas Opus electronic ignition distributor; two SU electric fuel pumps; 5-bearing chrome molybdenum crankshaft.
TRANSMISSION rear wheel drive; GM400 3-speed automatic with torque converter; hypoid bevel final drive 3.08:1.
CHASSIS steel monocoque with sub-frames; independent single transverse arm top wishbone front suspension; coil springs, anti roll bar; independent trailing arm rear suspension, coil springs; anti roll bar; rear automatic height control; telescopic dampers; hydraulic servo brakes, 27.9cm (11in) dia discs, 2 single callipers front ventilated, dual calliper rear; triple circuit; Saginaw recirculating ball, later rack and pinion PAS; 107l (23.5gal) fuel tank; 235 70VR 15 radial ply tyres, 6in rims
DIMENSIONS wheelbase 305cm (120in); track front 152.4cm (60in), rear 151.4cm (59.6in); length 517cm (203.5in); width 191.8cm (75.5in); height 148cm (58.2in); ground clearance 16.5cm (6.5in); turning circle 11.6m (38ft).
EQUIPMENT Connolly hide upholstery; Wilton carpet with nylon rugs; air conditioning; laminated windscreen; Bosch Frankfurt AM FM radio £77.46 extra
PERFORMANCE maximum speed 190kph (118mph); 42.1kph (26.2mph) @ 1000rpm;
0-100kph (62mph) 10.1sec; fuel consumption 22.6l/100km (12.5mpg).
PRICE, 1975 Rolls-Royce £29,250
PRODUCTION 525 Rolls-Royces and 1 Bentley (plus 4 prototypes and 4 experimental cars all scrapped)
*Sicilian road race. This blog based on The Complete Bentley, Dove Publishing Ltd, now widely available as an ebook from Foyles, Waterstone, Amazon and more.

Rolls-Royce

Twenty-one years ago Rolls-Royces were still made in Crewe. They were a decade away from fundamental change. Yet their dignity seemed unshakeable as this motoring column from 17 June 1990 shows. And 'personal imports' to beat Car Tax and VAT was still newsworthy.
SUNDAY TIMES: Motoring, Eric Dymock
ROLLS-ROYCE SILVER SPIRIT II
Upwards of a thousand Rolls-Royces are converging on Castle Ashby in Northamptonshire today for the Rolls-Royce Enthusiasts' Club Annual Rally. It will be a meeting of hearts and minds as well as cars. Rolls-Royces are as close to Britain's soul as Big Ben or Land of Hope and Glory, yet as with other pillars of the establishment, it is easy to expect too much of them.
Dignified and regal, beautifully made and long-lasting, Rolls-Royces are as imposing as ever they were. You are more likely to be taken for a pop star at the wheel of one nowadays than a Member of the House of Lords. They tend to be bought more by 'new' money than by the old aristocracy who seem to be happier in Range Rovers and green wellies.
Adjusting one's expectations means not assuming a Rolls-Royce will handle like a Mercedes-Benz, nor be as quiet as one of the new Japanese luxury cars. It means driving them in a fitting manner, not too fast, and avoiding harsh braking or acceleration. The older parts of the suspension were not designed to avoid the diving and leaping that go with clumsy driving.
Rolls-Royce chauffeurs like Rolls-Royce cars are expected to keep their composure at all times. At the chauffeurs' school they are instructed how to open a door, then shut it with a satisfying clunk, like the door of an old First Class railway carriage, as the passengers sink into the Connolly-leather chairs, kick their shoes off, and curl their toes into the shaggy carpet.
Rolls-Royce's tradition of naming cars after ghosts began in 1907, when Claude Johnson, responsible for the creation of the marque as much as the two euphonious partners, had their thirteenth 40/50 finished in aluminium paint, and the carriage lamps and fittings silver-plated. It was named The Silver Ghost
The latest Silver Spirit is less ethereally quiet. It is probably noisier than some of the graceful old cars gathering at Castle Ashby, the difference is that it does 120mph, and accelerates to 60mph in a vigorous 10 seconds.
Its worst shortcoming is the tiresome hum from the air intake of the 6.75 litre V-8 engine which would pass unnoticed in a Sierra or a Cavalier, but as in the tale of the princess and the pea, quite spoils the cushioned luxury of a car that costs £85,609, and does between 12 and 15mpg. With a little effort you feel the fuel consumption could reach single figures.
The heavy thirst is the result of the blunt aerodynamics and the car's weight of 2350kg (5180lb, 46cwt). The controls are all light, but at seventeen and a quarter feet (5.3metres) it is a large car. The ride is now extremely good, with the new adaptive ride control which senses speed, steering, and the disturbance made by road bumps. The sensors then stiffen or slacken the springing within milliseconds, making this the best-riding and best-handling Silver Spirit yet.
Body roll on corners is firmly checked, and the old floaty motion has gone.
The interior of the Silver Spirit is of matchless quality, with further refinements to the two-tier air conditioning system. Unlike those of BMW and Mercedes-Benz, it divides horizontally, giving the occupants the choice of warm feet and a cool head as opposed to a cool driver and a warm passenger.
There is usually so much noise in a car that the quality of an elaborate stereo system is squandered. The Silver Spirit is quiet enough for pop stars to appreciate its ten speakers (two tweeters in the demister panel, mid-range and bass units in the front doors and tweeter and mid-range units in the rear doors) and, for those of their lordships who still have them, to hear Today in Parliament in perfect peace.
ENDS 661w
SUNDAY TIMES: Motoring, Eric Dymock
ROLLS-ROYCE, CREWE
Rolls-Royce has at last had to concede that machines make cars better than people can. Sir Henry Royce, whose engineering credo was that, "There is no safe way of judging anything except by experiment," would probably have agreed. He would go to any lengths to achieve excellence and had he known about it, he would have embraced computer-controlled machining with enthusiasm.
Changing the habits of a lifetime has not come easily. The old wartime factory at Crewe still has machinery, which still looks as though it made Merlin engines for Battle of Britain Hurricanes and Spitfires. They did, and are gradually being replaced by automatic cutters and drillers to turn out better components than the most skilled craftsman.
Rolls-Royce offers the production engineer a singular challenge. It is relatively easy for robots to turn out thousands of identical parts, but Rolls-Royce made only 3,243 cars last year, just under 70 every working week, so it does not want thousands of anything very much. What it does want is seventy or so axle casings, or cylinder blocks, or exhaust manifolds machined to a consistent accuracy that befits the car.
This could no longer be accomplished with the relics of industrial archaeology on which Rolls-Royce Motors had to rely following the receivership of 1971. Like Ferrari, Rolls-Royce has had to adapt to changing circumstances, which meant commissioning a highly automated paint plant a year ago, and bringing in sophisticated new machinery, the latest of which was brought into operation only last week.
Unlike Ferrari, in which Fiat has invested heavily, Rolls-Royce has had to generate its own resources. Profits have gone up from £14.1 million in 1984 to nearly £25 million last year. Sales are up 18 per cent world wide, the Pacific basin is doing well with sales in Japan up, North America holding its own, and the UK up by over 8 per cent.
Just over half the cars made by the company are Bentleys, and when the new model arrives by the mid-90s, the Rolls-Royce and the Bentley ranges will separate for the first time since 1945. The pre-war "Silent Sports Car" will have an identity of its own again, with a separate body style.
More pressing however is a new engine to replace the thirty year old V8, which is neither as smooth nor as efficient as a Rolls-Royce ought to be. Vickers, Rolls-Royce's parent now owns Cosworth Engineering which is not only an outstanding manufacturer of racing power units, but also notable in the production engineering of engines.
Among Cosworth's notable achievements was successfully designing and producing the 16-valve heads for the outstanding Mercedes-Benz 190 2.3-16, in an astonishingly short time. Rolls-Royce is fully extended making cars - it makes most of its own components down to the Spirit of Ecstasy on the radiator shell. Cosworth, rich in talent, would not find it difficult to design and engineer a new power unit adaptable for a 1995 range of Bentley sports cars and Rolls-Royce limousines.
Meanwhile the crafts at Crewe which even the cleverest robots could not replace, continue to thrive. Ferrari lost none of its cachet through installing modern production methods and neither will Rolls-Royce. Ferrari quality and reliability has improved and so will Rolls-Royce's. The irreplaceable features, the sumptuous leather and the carefully-grained woodwork which no manufacturer in the world does as well, will give the cars their own distinctive character for generations to come.
ENDS 600w
SUNDAY TIMES: Motoring, Eric Dymock
Mrs Alberto Pirelli will flag off 125 pre-1966 cars taking part in the 2,000 mile Pirelli Classic Marathon from Tower Bridge at 0800 today. The third annual Marathon which commemorates the old Alpine Rally travels through six countries in seven days, finishing in Cortina Italy, on Saturday.
The 15 special tests, start at Lydden Hill, Kent at 11.00. Spectators will be admitted to a slalom-style event which will decide the first day's leaders before the cavalcade sets sail for the first overnight stop at Ypres, in Belgium.
Stirling Moss has declared himself fit to drive an MGB following his recent motorcycle accident but has not yet discarded both his crutches. Victor Gauntlett has withdrawn his £200,000 Austin-Healey which leaves Indianapolis star Bobby Unser's rather special Jaguar E-Type as probably the most valuable car in the event. Together with all the other precious classics, the Jaguar will be put to some strenuous tests such as a timed climb of the famous Stelvio Pass, Italy's highest Alpine road, nine miles with 48 hairpin bends, which will be specially closed for the occasion.
ENDS 195w
SUNDAY TIMES: Motoring, Eric Dymock
BMW SAYS EURO-PRICES BUNK
Despite a recent rise of 3.3 per cent, BMW claims that the prices of its 3-Series cars are much the same in the UK as they are in the rest of Europe. Taking the prices of extra equipment into account, optional in Germany but not always optional on the UK market, personal imports cost the customer more.
BMW allowed £300 to cover petrol, hotels, and ferry fares and local taxes were taken into account. No allowance was made for any administrative expenses, but BMW calculates that on an exchange rate of Dm2.8 to the pound the costs are as follows:
personal import UK retail extra cost of personal import
316i £12,525 £12,425 £100
320i £15,638 £15,550 £ 88
325i £19,179 £19,175 £ 4
The more expensive the BMW, the more BMW says you save by buying it in the UK.
ENDS 161w

A Missing Rolls-Royce


Scotland on Sunday, 1 December 2002:

Financial ghosts following the demise of the Royal Scottish Automobile Club are not yet laid to rest. Secrecy and obfuscation surround the disposal of the club’s assets. Pictures and motoring memorabilia were sold off without telling the members. The mystery surrounding the club’s heirlooms, the world’s second-oldest Rolls-Royce and a unique Arrol-Johnston, built in Dumfries in 1922, may soon be resolved. The Rolls-Royce was bequeathed to the club in 1974 under the will of Adam McGregor Dick with a stipulation that it should remain in Scotland and never be sold. The first part has already been infringed; it has been languishing at P&A Wood, of Great Easton, Dunmow in Essex, for several years because no money was made available for restoration.

The general secretary of the Rolls-Royce Enthusiasts’ Club confirmed to me that he had been negotiating with the RSAC for years, offering to pay for restoration in return for the car spending some time among the club’s extensive collection of Rolls-Royce artefacts at Paulerspury, Northants. While ownership should remain in Scotland, there seems no reason to turn down the RREC’s request, and bring this fine car back to life. Made in 1905, chassis 26330 is the only survivor of six three-cylinder cars made by Henry Royce in Manchester, as he was forging his partnership with The Hon C S Rolls in London.

When he handed the Rolls-Royce over to the RSAC, AM Dick appointed its office-bearers as trustees, never contemplating a day when the club might be declared insolvent. A later generation of governors, of the institution in which he had such faith, has alas failed him. In 1905 the Rolls-Royce chassis cost £500, with a further £530 for a Barker side-entrance tonneau body and canopy. Nobody knows how much it is worth now. In automotive terms it is like the crown jewels, none ever comes up for sale, but even with a replica body made by J B Stevenson of Glasgow in the 1960s, it would be insured for upwards of £1 million.

The trustees met last week and are, “… now investigating various legal avenues which should modify the existing arrangements to enable the donor's wishes to be respected. There is no question of the car being sold.” The liquidator, as trustee for the club, therefore effectively for its office-bearers, is expected to seek senior counsel’s opinion on a petition to the Court of Session. This would look for clarification of the donor’s intentions now that the club has virtually ceased to exist. It looks as though the car will now be held in trust for the nation although what that means in practice remains to be seen.

That was eight years ago. Went to the old RSAC headquarters in Glasgow for the press launch of the Alfa Romeo Mito Multiair last month. It is now an up-market hotel, tastefully done, but the visit to the historic premises prompted me to wonder what had become of the Rolls-Royce. I can confirm that it is still at P&A Wood and its ownership remains an issue. Watch this space Artwork is James Leech's from the late George Oliver's splendidly detailed 1967 Profile on the car